Hey guys! I’ve got some links that we passed around last year that you might find of use. Some of them were more general, but there were a few that specifically related to discussions within the class. Those links I’ve posted below, noting which class they related to. I’ll post the rest of the general links soon, but thought these might be handy to have separately.
Week 1—Introduction to Course: The Language of Comics
Since we looked a little bit at what could be considered the precursors to comics, this article posits that the very first comic might have come from right here in Scotland. http://www.bleedingcool.com/2011/02/20/did-scotland-invent-the-comic-book/
Speaking of Scotland and comic books, last year BBC2 Scotland produced Scotland’s Amazing Comic Book Heroes. Info on the show and some clips are here: http://www.bbc.co.uk/programmes/b012c5n2. I know the BBC is going to expand the iPlayer archives soon, so it would be worth keeping an eye out for it. The production value is a bit on the cheesy side, but there are some good interviews in it regardless.
Not being a trained artist or illustrator, I found this really useful. It talks about facial expressions, which is something I know myself and a number of other people found a bit daunting: http://lackadaisy.foxprints.com/exhibit.php?exhibitid=333.
Another useful tutorial, albeit one that’s been kicking around for far longer is, 22 Panels That Always Work (direct link to image: http://joeljohnson.com/images2/wallywood22panel1600.jpg)
Week 5—Superheroes and funny animals: character design
We got talking about the cultural cache superheroes have and what place they have within our society.
Reality takes a bit of a Kick-Ass turn when someone decides that they’re going to become a vigilante on the streets of Seattle: Seattle Superhero ‘Phoenix Jones’ Patrols Streets, Fights Crime.
While others use the archetype to find strength within themselves. One child’s Make-a-Wish was to spend a day as a super hero: Local boy with cancer turns into a superhero for a day.
Week 7—Seduction of the Innocent: Wertham, EC, and the ‘value’ of comics
The Comics Code, which is discussed in this class, was finally put to rest last year. The Comic Book Legal Defense Fund then went out and bought the rights to the logo, in a wonderfully tongue-in-cheek move to raise money: The CBLDF Gets The Rights To The Comics Code Seal. Heads Explode.
Week 8—Adaptation and appropriation: comic books and other cultural forms
These two links came up during a discussion after an exhibition about comics in the Market Gallery, but they certainly have relevance to the topic:
Brian Bolland Takes On Erró… And Wins!
Swipe File: Gardar Eide Einarsson and Mike McMahon
Week 10—Comics and autobiography
I’ll be posting a blog with links to webcomics in the next few days and there’s a sub-category of autobiographical and diary comics within that list that would be handy to refer to.
Week 11—Forms of distribution
The internet can open up lots of new distribution channels, as well as many new ways of creating comics.
One person who harnessed Twitter to crowd-source a comic: Stewart K. Moore sends word of a new experiment, via Twitter, to create 100 parallel interpretations of the same story. http://scottmccloud.com/2011/05/16/atwomic-a-twitter-comic/. Which is a bit like the online version of Exercises in Style.